A person in a gallery walking beneath a pink ceiling and staircase

Solo exhibition at Museum of Contemporary Art Australia

Starts: Fri, November 04, 2022
Ends: Sat, February 25, 2023
Museum of Contemporary Art Australia
140 George St, The Rocks, NSW 2000, Australia

A solo exhibition by Do Ho Suh 94 PT for the Sydney International Art Series 2022–23 will be on view starting Friday, November 4, 2022.

From Museum of Contemporary Art Australia:

[Sydney, 20 May 2022], The Museum of Contemporary Art Australia (MCA Australia) is delighted to announce a major new survey by internationally renowned artist Do Ho Suh. This is the first large- scale solo exhibition in the Southern Hemisphere of the South Korean-born, London-based artist’s work. The exhibition will open exclusively in Sydney on Friday 4 November 2022, for the Sydney International Art Series 2022–23.

Do Ho Suh is known for his large-scale sculptures and architectural installations, which address the often complex relationships between the body, memory and space.

Do Ho Suh at the Museum of Contemporary Art Australia is a major survey spanning three decades, from the 1990s to the present, and represents one of the artist’s most comprehensive projects to date. The exhibition is Suh’s first solo exhibition in the Southern Hemisphere and will present emblematic works across a wide range of media that include large-scale installations, sculptures, drawings, printmaking, models, and video works.

Do Ho Suh’s extensive body of work is characterised by an ongoing meditation on notions of belonging, identity and home. Encompassing portraiture and architectural references, Suh’s works have a distinctive biographical dimension in their evocation of the artist’s childhood and schooling in South Korea, the family home in which he grew up, and his relocation to New York, Berlin and London and the various spaces he has lived in as an adult. Diasporic experience and the space between different cultures and histories is a recurrent refrain within the works, which situate the home at the centre of our shared physical and psychological experience.

A person in a gallery walking beneath a pink ceiling and staircase
Do Ho Suh, Staircase-III, 2010, installation view, Museum Voorlinden, 2019, polyester fabric, stainless steel, image courtesy the artist, Museum Voorlinden, Lehmann Maupin Gallery; Victoria Miro, London & Venice, © the artist, photograph: Antoine van Kaam
Three house-like structures: one pink, one teal, and one yellow
Do Ho Suh, Passage/s, 2018, installation view, Towada Art Center, polyester fabric, stainless steel, image courtesy the artist, Lehmann Maupin Gallery, NY, Hong Kong, Seoul & London; Victoria Miro, London & Venice, © the artist, photographer: Jeon Taeg Su
A façade of a three-story house made of blue thread beside a heap of multicolored thread
Do Ho Suh, "Blueprint," 2014, thread embedded in cotton paper, image courtesy and © the artist
Panels of paper inside a wooden house-like structure
Do Ho Suh, Rubbing/Loving Project: Company Housing of Gwangju Theater, 2012, graphite on paper, wooden structure, video monitor & player, single-channel video projection with audio & speaker, image courtesy the artist & Lehmann Maupin Gallery, © Do Ho Suh
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