Alexandra Metcalf, No Curer, 2025. Oil, watercolour, on canvas. 120 x 80 CM
Alexandra Metcalf - No Curer, 2025 -oil, watercolour, on canvas - 120x80 CM
ALUMNI NEWS |
Jul 2025

"Gaaaaaaasp"

Alexandra Metcalf: Gaaaaaaasp
16 May–25 July 2025

A gasp is involuntary.
A gaaaaaaasp is performative, a melodramatic flinging up of the arms, a prolonged recoiling.
A gaaaaaaasp is both sound and action.
A gaaaaaaasp might dissolve into a wail.

- Jennifer Higgie

The Perimeter is pleased to present Alexandra Metcalf: Gaaaaaaasp, the artist’s first public solo
exhibition. Born in London in 1992 and based in Berlin, the British-American artist explores notions of
gender and interiority through scenes of psychological turmoil. The exhibition comprises a series of spatial
installations and new paintings.

The Perimeter has been transformed across a multitude of time periods, each room unfolding as
fragments of a cyclical narrative. Situated during the collapse of Victorian domesticity, these sites
intersect with mid-20th century countercultural movements and contemporary visual signifiers. Layers
of wallpaper and archival clippings are embedded as a patina in Metcalf’s set dressings. By incorporating
historical and material references, she depicts England’s legacy of psychiatric spaces and public crises of
care. These built interiors offer a segmented view inside a clinical enclosure; made up of waiting rooms,
abandoned surgical theatres, and damp vinyl floors. In these works, she blurs the line between domestic
and institutional interiors, obscuring the boundary between care and confinement.

There is an underlying sense of malaise throughout Metcalf’s paintings, where familiar scenes are
contrasted by architectural decay and the banality of bureaucratic violence. As you pass through a
stratum of transitory spaces, historical continuity is fractured, invoking the haunting anxiety of memory.
Through exaggerated and psychedelic imagery, she oscillates between humour and darkness, a satire
that remains deeply relevant to ongoing struggles around bodily autonomy and agency. For Metcalf,
domesticity becomes a referential marker to the restriction of craft and ornamentation as a gendered
art historical practice. Throughout the exhibition Metcalf challenges this reading by playing on a camp
aesthetic, where the mundanity of a home meets the pathos of operatic storytelling.
Gaaaaaaasp is accompanied by an exhibition catalogue, produced by The Perimeter, designed by Studio
Boris Meister, with texts written by Jennifer Higgie and Alexandra Metcalf.

Alexandra Metcalf graduated from the Chelsea College of Art and Design, London and Rhode Island
School of Design, Providence. Her work has recently been exhibited at No. 9 Cork Street, London; FRAC
Corsica, Corte; Forde, Geneva; Kunsthalle Zürich; Champ Lacombe, Biarritz; 15 Orient Gallery, New York
and Ginny on Frederick, London. Metcalf’s work is held in The Museum of Modern Art Library Collection,
New York; The Perry and Marty Granoff Center for the Creative Arts, Brown University, Providence and
The Perimeter, London.